The ending of "Black Myth: Wukong" may leave gamers wanting more, but the game's six chapters of cutscenes have captivated audiences. Popular video game blogger Pili shared that after completing each challenging chapter, the beautifully crafted cutscenes provide a sense of relief and joy. It's not just gamers who appreciate these visuals, and ordinary viewers have also been enthralled by the story. As a result, the cutscenes from "Black Myth: Wukong" have become trending content across major video platforms.
Three of the six cutscenes, "Fart", "Don't Listen", and "Beyond Control", were co-produced by Guangzhou-based Big Firebird Cultural Media Co., Ltd. and its partners. To uncover the production secrets behind these animations, a reporter recently visited Big Firebird's office in Tongchuanghui Park, Haizhu District.
Of the three cutscenes produced by Big Firebird, Wei Tianxing, the company's CEO, expressed that his favorite is the third chapter, "Fart". Every detail in "Fart" was created after meticulous researched by the production team. From the architecture to the costumes, they worked hard to recreate elements of traditional Chinese culture, ensuring an immersive visual experience for players. This attention to detail is a hallmark of Big Firebird's work and is evident in the other two cutscenes as well.
Among all the cutscenes, the fourth chapter, "Don't Listen", has gained the most traction. Its popularity isn't just due to its beautiful, lyrical soundtrack but also because it explicitly portrays Pigsy's hidden love story from the original "Journey to the West". Huang Hua, CEO of Guangzhou-based Green Monster Research Culture Communication Co., Ltd. and the producer of "Don't Listen", believes that the episode's careful handling of the story and attention to detail are what made it so beloved. Huang said, "When the director briefed us, he wanted Pigsy's love story with the Spider Demon to be conveyed through subtle emotional expressions at different stages of their relationship."
The word "fracture" is what Huang Chengxi, CEO of a film and animation company based in Guangzhou, took away from the script for "Beyond Control". To highlight the fractured nature of the Bull Demon King's life, Huang incorporated fracture motifs throughout the animation. He explained, "In the scenes with Princess Iron Fan and the Red Boy, there are fissures in the lava on the ground. When he interacts with Wukong, his face and body are marked with scars and wounds." Huang used these visible cracks to symbolize the tragic life of the Bull Demon King.
In discussing the future of Guangzhou's gaming industry, Wei Tianxing, Huang Hua, and Huang Chengxi all agreed that creating animated scenes based on real-life locations and turning them into popular tourist destinations could help Guangzhou's cultural, commercial, and tourism sectors to merge and thrive. This concept of integrating culture with commerce and tourism is seen as a promising direction for the future development of Guangzhou's animation industry.
Source : Lingnan on the Cloud
《黑传说：悟空》过场动画热播，制作团队理解背后的故事
《黑传说：悟空》的游戏结局让东说念主嗅觉余味无穷，但游戏六个章节的过场动画齐很精彩。闻名电子游戏博主啤梨示意，每当笨重打完一章后看到如斯雅致的过场动画，齐会产生一种得回安抚的昂然感。不外，不单玩家在游戏中得回了正反映，等闲不雅众也对故事实践惊艳不已。致使于，在各大视频网站上，《黑传说：悟空》的过场动画齐成了热播实践。
六集过场动画中，有三集是由广州的“大火鸟文化”偏捏合营方协同制作，这三集分裂是：《屁》《勿听》和《不由己》。为了解这些动画片的制作内幕，记者近日看望了位于海珠区同创汇的大火鸟文化传媒有限公司。
在大火鸟文化制作的3联接，大火鸟的CEO危天行示意他最心爱第3集——《屁》。《屁》内部的扫数细节，制作团队齐历程严谨的验证。通过对中国传统文化中的设置、衣饰的归附，艰辛给玩家带来舒心淋漓的视觉后果。严格抠细节，是大火鸟文化的制作特质，这在其他两联接也齐有体现。
在扫数过场动画中，第4集《勿听》的流传度最高。不单是因为这集的音乐最抒怀、最佳听，也在于这集把原著中猪八戒迷糊的爱情故事明确地讲了出来。动作《勿听》的制作主说念主，广州绿怪研文化传播有限公司CEO黄骅觉得，故事的情节、剧情的惩处和对细节的精雕细镂齐是让《勿听》得回天下青睐的原因。黄骅说：“导演跟咱们讲戏的时间，关于猪八戒的爱情这一部分，他但愿咱们玩忽通过一些本事去推崇出猪八戒与蜘蛛精在不同阶段的情谊抒发。”
“裂痕”是广州齿轮映画影视科技有限公司CEO黄成希从《不由己》这个脚本中提取出来的要害词。为突显牛魔王身上的“裂痕感”，黄成希在动画中使用了无数的裂痕元素，他说：“在他和铁扇公主的分镜、和红孩儿的分镜中，大地上齐是熔岩裂隙；在和孙悟空的两次相似中，脸上、身上齐有极端较着的疤痕、伤口。”黄成希用画面中随地可见的裂痕，来隐喻牛魔王悲剧的东说念主生。
“游戏中的广州” 若何已毕文商旅的深度交融？危天行、黄骅、黄成希一致觉得，将动漫作品中推崇的场景以及取景、取材的方位打酿成打卡地，已毕文商旅的深度交融，这亦然广州动漫产业改日发展不错发力的一个标的。
采写｜新快报记者 王敌 许婉婕
照相｜新快报记者 不雅显锋
译｜赵凡
审｜林佳岱